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thumbnail Fig. #8201;5

Each row shows a grey-scale image of the Spitzer 3.6 #8201; #956;m observations, superimposed with grey contours indicating the 1.4 #8201;GHz observations and black contours showing the 4.8 #8201;GHz (left panel) and 8.6 #8201;GHz (middle panel) observations. The IFRS are always the sources at the image centres. Contours start at 3 #963; and increase by factors of 2. The 1.4 #8201;GHz restoring beam and the 4.8 #8201;GHz/8.6 #8201;GHz restoring beams, which are the same size, are indicated with ellipses in the lower left corners of the images. The right panel shows the flux density measurements available for a source and 3 #963; upper limits where no detection was made (indicated with arrows). The solid line indicates the best available spectral index, and dashed lines indicate a power-law with an index 1 #963; larger and 1 #963; smaller than determined by the data. We note that all sources have a signal-to-noise ratio of more than 9 in the 1.4 #8201;GHz observations, so there is no doubt that they are real sources and not spurious.

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thumbnail Fig. #8201;3

Top panel: the distribution of S20/S3.6 in the general source population, in the sample of HzRG by Seymour et #160;al. (2007), and in our IFRS sample. The IFRS clearly occupy a different regime than the general population, and tend to overlap more with the HzRG. Bottom panel: the histogram of the IFRS S20/S3.6 ratios as in the upper panel, shifted to the right by log(5) #160;= #160;0.7. This takes into account that Norris et #160;al. (2010) found no IR counterparts for IFRS in a stacking analysis with a 5 times higher sensitivity. On average the IFRS then have a S20/S3.6 which is about two times higher than that of the HzRG.

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I also took note of a group of runners, in the portico, taking their exercise under the eye of an instructor, and in one xxxvideo hardcore movie daughter and father meuu was a large cabinet, in which was a very small shrine containing silver Lares, a marble Venus, and a golden casket by no means small, which held, so they told us, the first shavings of Trimalchio's beard., .

The fine sentiments that Virgil puts into the mouth of the shade of Creusa, content with having died while serving against the Greeks, "she was a Trojan, and she wedded the son of Venus"; the confession with which Andromache, confronted by the murderer of her first husband, responds to the question of AEneas; these ideas, I say, and these sentiments, appertained to the polished century of Augustus and not to the epoch or, scene of the Trojan War., .



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